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This Louis Comfort Tiffany Wisteria Stained Glass Panel, translating into glass the lush palette found in flowers and plants, was one of several transom windows designed for the dining room in Laurelton Hall, Tiffany's Long Island estate. Enjoying the lavenders and blues of the wisteria blossoms, Tiffany designed these windows in an Art Nouveau style, more lyrical than many of his earlier works. On this glass panel, enamel colors are individually applied to a single sheet of glass which is then kiln fired to permanently fuse the enamels to the glass. The glass panel is then framed with a metal came and includes hanging chain as well as two clear acrylic display stands for tabletop or desktop display. Louis Comfort Tiffany Wisteria Stained Glass in patinated metal frame measures 14" x 11.36".
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The Frank Lloyd Wright Tree of Life Design Doormat is inspired by several variations of this design with its strong horizontal lines and planes in Wright’s Darwin D. Martin House. This doormat is constructed in coir fiber pressed into a natural rubber base. The generous proportions of this mat are 36 inches by 22 inches.
The Frank Lloyd Wright Coonely Playhouse Doormat is adapted from the Avery Coonley House, Riverside, IL (1908-1912). The Avery Coonley House, Riverside, IL (1908-1912) was designed for Avery and Queene Coonley. It is unlike Wright's early designs with their nature derivations. The Coonley Playhouse windows are purely geometric in composition and feature bright, mostly primary colors. This design may have...
The Frank Lloyd Wright Bradley House Skylight Stained Glass is adapted from the dining room ceiling of the B. Harley Bradley House (Kankakee, Illinois, 1900), which is widely recognized as Wright's first Prairie Style design. This stained glass panel has been developed in association with the Frank Lloyd Wright Foundation. On this glass panel, enamel colors are individually applied to...
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This Frank Lloyd Wright Saguaro Wood Framed Stained Glass vividly recreates one of Wright's most popular designs. The design is one of a number of Liberty Magazine cover designs from 1926-27 that the editors thought to be too "radical" and never used. In 1973 there was a fire in the Arizona Biltmore. This graphic was selected from the Frank Lloyd...