$7.95 Flat Rate Shipping! | See Details
Item# PBEPS9778DG
$140.00 $99.95
These Mackintosh Silver and Pearl Drop Earrings are a romantic interpretation of Charles Rennie Mackintosh's distinctive Arts and Crafts and Scottish style of Art Nouveau. Languid heart-like leaf motifs draw influence from the organic forms Mackintosh often used in ironwork and furniture details. The Arts and Crafts and Art Nouveau themes that informed Mackintosh are reflected in these elegant 925 Sterling Silver and pearl earrings. Matching pendant is also available. Height 1.77”.
$7.95 Flat Rate Ground Shipping eligible within the contiguous U.S.
$79.95 $120.00
This striking Frank Lloyd Wright Martin House Hardwood Wall Medallion measures 28" x 9.5" x .5" depth and has been precision laser-cut and comes with a cherry veneer finish. Each panel is notched on the back for hanging and includes hanging screw. This Frank Lloyd Wright design is an adaptation of a detail from an art glass window in Wright's...
$104.95 $140.00
This stunning Frank Lloyd Wright Robie 2 Art Glass Hardwood Art Screen Wall Panel measures 31.5" x 11.5" x .5" depth and has been precision laser-cut and comes with a cherry veneer finish. Each panel is notched on the back for hanging and includes hanging screw. The Frank Lloyd Wright Robie 2 Art Glass Hardwood Wall Panel design is adapted...
$119.95 $140.00
This stunning Frank Lloyd Wright Dana Window Wood Art Screen Wall Panel Cherry measures 31.5" x 11.5" x .5" depth and has been precision laser-cut and comes with a cherry veneer finish. Each panel is notched on the back for hanging and includes hanging screw. This Frank Lloyd Wright Dana Window design is adapted from the suspended art glass curtain...
$54.95 $75.00
The Louis Sullivan Skylight Tapestry Pillow is inspired by a window designed by Louis Henry Sullivan. for a branch of the Farmers Merchant & Union Bank, 1919. For a young Frank Lloyd Wright, his years working under Louis Sullivan, February of 1888 to June of 1893, undoubtedly shaped his design philosophy. Wright, who rarely acknowledged any direct influences called Sullivan his “Lieber Meister”...