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Item# DHERS7278
$38.00 $29.95
The design of the Sullivan Stock Exchange Earrings with Black Bead Accent was adapted from part of the 1893-94 painted decoration designed by Louis Sullivan for the Chicago Stock Exchange’s Trading Room. Sullivan designed a multi-colored wall stencil that covered the top portion of the walls and part of the ceiling. The Chicago Stock Exchange building was designed in the Prairie School/Modernist styles of the architect Louis Sullivan and his associate, George Grant Elmslie. Tarnish resistant electro-plated hematite finish on brass with pale green accent and glass black bead. Hypoallergenic posts for pierced ears. Gift boxed with descriptive insert. Length: 1.50”. Made in the USA.
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$49.95 $60.00
The Frank Lloyd Wright Tree of Life Design Doormat is inspired by several variations of this design with its strong horizontal lines and planes in Wright’s Darwin D. Martin House. This doormat is constructed in coir fiber pressed into a natural rubber base. The generous proportions of this mat are 36 inches by 22 inches. Please note that it is...
$39.95 $49.95
The Frank Lloyd Wright Coonely Playhouse Doormat is adapted from the Avery Coonley House, Riverside, IL (1908-1912). The Avery Coonley House, Riverside, IL (1908-1912) was designed for Avery and Queene Coonley. It is unlike Wright's early designs with their nature derivations. The Coonley Playhouse windows are purely geometric in composition and feature bright, mostly primary colors. This design may have...
$84.95 $98.00
The Frank Lloyd Wright Bradley House Skylight Stained Glass is adapted from the dining room ceiling of the B. Harley Bradley House (Kankakee, Illinois, 1900), which is widely recognized as Wright's first Prairie Style design. This stained glass panel has been developed in association with the Frank Lloyd Wright Foundation. On this glass panel, enamel colors are individually applied to...
$134.95 $150.00
This Frank Lloyd Wright Saguaro Wood Framed Stained Glass vividly recreates one of Wright's most popular designs. The design is one of a number of Liberty Magazine cover designs from 1926-27 that the editors thought to be too "radical" and never used. In 1973 there was a fire in the Arizona Biltmore. This graphic was selected from the Frank Lloyd...
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